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Friday, August 11, 2006

UKIYO-E WOODBLOCK PRINTS AND BOOKS

The art of the woodblock is exemplified in Ukiyo-e, which exploited the full potential of this printmaking medium. In Ukiyo-e, each image was created through the collaborative effort of four skilled individuals: the publisher who coordinated the efforts of the specialized artisans and marketed the artworks; the artist who designed the artworks and drew them in ink on paper; the carver who meticulously carved the designs into a woodblock, or, in most cases, a series of woodblocks (during the Edo period the number of blocks averaged ten to sixteen); and a printer who applied pigments to the woodblocks and printed each color on handmade paper. Each member of this team was highly skilled and had nearly equal responsibilities for the final result. The woodblock images in this exhibition display a broad spectrum of styles and printing techniques. The early prints are spare and monochromatic, printed in black ink only, some with minimal hand-coloring. Later works are built up in lavish layers of printed color, some with embossed areas created by the interplay of pressure, carving, and paper texture. In some works, flecks of ground metal or mica have been applied to surfaces, creating areas that shimmer; in some a thick passage of glue and black printing ink creates a lacquer-like surface. Perhaps most associated with loose sheet prints, Ukiyo-e is also richly represented in woodblock-printed picture books, called ehon. Printing techniques which both text and illustrations were carved into woodblocks provided the means by which large numbers of books could be produced without having to undergo the laborious and expensive process of hand copying, which had previously been the norm. Popular books, art manuals, and albums were produced in quantity using the same techniques that allowed for the mass production of Ukiyo-e prints. As a vehicle for Ukiyo-e, woodblock printing was particularly successful, producing in quantity stunningly beautiful artworks that were available at a relatively low cost. The Library's collection numbering approximately 2000 woodblock prints and 400 block-printed ehon, attests to the unrivaled craftsmanship, technical excellence, and spectacular results that Ukiyo-e artists were able to achieve in woodblock printing.

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